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The Steepwater Band
After getting into the music promotion business with inspiration from my chance discovery of Joe Bonamassa in 2002. I did the music bookings for a friend of mine’s bar in Oklahoma City. I was contacted by the management of the Steepwater Band. They had a routing opportunity on their way to boarding the Give me Three Steps Cruise. I would have to say they were one of the best bands that ever stepped foot on my stage during the time I booked that room. Others that graced the Road House stage during that time besides hosting Joe Bonamassa for his 30th Birthday celebration was BX3 Stu Hamm Billy Sheehan and Jeff Berlin’s project as well as Robben Ford. Check these guys out.
the Steepwater Band’s forthcoming studio release, “CLAVA” (pronounced CLAY-va) finds the band hitting their most creative and focused point of their careers. The new record was recorded this past March on the South Side of Chicago at the studio of the same name. Also known as a trinity of stars, CLAVA is a fitting name for the new record produced by the trio along with Colin Sipos, a young, up-and-coming producer/ engineer who has worked with the critically acclaimed Iron & Wine and Califone. Sipos also recorded TSB’s “The Stars Look Tonight/My Back Pocket (2010)” single and mixed “Live at the Double Door (2010).” The ten new songs feature some of their most blues-infused, heavy and psychedelic tunes to date. Each song takes you on a musical journey, steeped in tradition, while not being overly nostalgic. On “CLAVA” the band honors their heroes and pays them the highest compliment – continuing the Rock n’ Roll lineage while creating paths not yet explored. This release exemplifies the musical trinity that is The Steepwater Band.
Dana Fuchs
The youngest of six musical children, Dana was raised in a small town in rural Florida surrounded by music- her older siblings’ band playing classic rock in the garage, Ray Charles and Hank Williams on her parents’ turntable, and a big dose of 70’s and 80’s funk at school. At the age of 12 she joined the First Baptist Gospel Choir and was singing, shouting, and praising the lord every week in a small black church on the outskirts of town. At 16 she was fronting a popular local band at a roadside Holiday Inn. It was the beginning of a hunger for singing and the stage that Wildwood, Florida couldn’t possibly satiate. Soon she was headed north telling friends and family she was “going to New York to sing the blues.”
Arriving in NYC alone and broke at the age of 19, Dana soon found herself down and out on Manhattan’s Lower East Side. After the wake-up call of her older sister’s suicide (Donna was Dana’s first musical mentor), Dana pulled herself together, determined to reconnect with her passion for music and began hitting the local blues jams with a vengeance. It was at one of these jams that she met Jon Diamond, an established NYC guitarist who had toured with Joan Osborne and W.C. Handy Award winner Debbie Davies. Immediately recognizing a musical chemistry they formed the Dana Fuchs Band. Within a year the band was a feature act at NYC’s best blues clubs, often sharing the stage and performing with the likes of John Popper, James Cotton, and Taj Mahal. For another year Dana immersed herself in the blues, playing 3 long sets a night, 4 nights a week until 3 am, honing her already formidable vocal power and performance style, and building a large, loyal following.
After 2 years of working the blues circuit Dana knew it was time for a change and decided to tell her own story and create her own music. She and Jon began writing intensively, putting together a solid body of original rock songs. Soon Dana was back on the Lower East Side again, only this time on stage with the band, debuting her songs to a packed house at Arlene’s Grocery. The fan response was overwhelming. The band was soon selling out shows at The Mercury Lounge, The Stephen Talkhouse and BB King’s, sharing the bill with national acts, Little Feat, Marianne Faithfull, and Etta James.
Not long after the producers of the off-Broadway hit “Love, Janis,” hearing raves about Dana from various cast and crew members, asked her to come in for an audition. Dana went in, sang a few bars of “Piece of My Heart,” and, on the spot, was offered the role of Janis Joplin. Playing Janis 4 nights a week garnered Dana a whole new audience who were soon at the DFB’s shows listening to Dana performing her own music.
These songs can be heard on the band’s debut CD, Lonely For A Lifetime, which was released to an enthusiastic response from both press and fans. Drawing from influences ranging from ’60s Stax/Volt R&B, Lucinda Williams and The Rolling Stones, Lonely for A Lifetime, hints, lyrically, at Tom Waits and Bob Dylan, among others. Says Fuchs, “I wanted to capture a soulful and rocking vibe…but with an earthiness to it.” Vocally Dana was inspired by legendary singers including Etta James, Otis Redding, Bobby Bland, Aretha Franklin, and Mavis Staples.
Notable tracks include ‘Strung Out,” “Lonely For A Lifetime” and “Bible Baby.” Explains Fuchs, “These tracks are about addiction and religious hypocrisy, and like all of the tracks on the album deal with subjects that I have a deep personal experience with. It’s crucial to me to have a passionate connection to what I’m delivering in order to create a sincere representation of me, my life and my influences.”
Producer, co-writer, guitarist Jon Diamond says: “Dana is blessed with an incredibly warm, powerful and textured voice. Her lyrics are direct and real. And while she has really studied the great soul, rock & blues singers, she has synthesized those influences into her own unique sound and style.”
Ryan McGarvey
Ryan McGarvey
Saturday November, 20th 9:30
Blues Saloon
2525 NW 10th St
Oklahoma City, OK 73107-5405
(405) 521-1290
At age 23, Albuquerque, New Mexico native Ryan McGarvey has in a relatively short amount of time not only gained a national, and international fan base, but admiration from his personal idols as well. In the past few years of Ryan’s career he has had the honor, and the pleasure of sharing the bill with such top name act’s as Blue Oyster Cult, Shemekia Copeland, Shannon Curfman, Chris Duarte, Ian Moore, John Hammond Jr., Joe Bonamassa, Back Door Slam, Gov’t Mule, The Fabulous Thunderbirds, and many more. His debut CD release “Forward In Reverse” recently reached the top 20 (out of over 200,000 Artist’s CD’s) on the best sellers list on CDBaby.com (The worlds largest online independent distributor). With rave reviews complimenting everything from his fiery guitar chops, which range from everything from delta slide to heavy rock, his unique vocals, or mature songwriting skills, Ryan McGarvey’s live shows will leave you breathless and wanting more. Absorbing influences from everything from early delta blues, to classic hard rock, to more contemporary blues/rock artist’s of today. In 2006 Ryan was named Guitar Center ’s “Guitarmaggeddon: Next King Of The Blues” champion of New Mexico . In 2007, 2008, & 2009 he was named “Blues Act Of The Year”, and was runner up for “Singer/Songwriter Of The Year” in The Weekly Alibi’s Annual Readers Poll. In 2007 Ryan took home the New Mexico Music Award for “Blues Song Of The Year” for his song “Cryin’ Over You”, and was nominated for “Mainstream Rock Song Of The Year” for his song “The One That Got Away”. In 2008 Ryan was once again nominated for “Blues Song Of The Year” for his blues ballad “Blue Eyed Angel Blues”. Most recently Ryan was featured by the editors of Guitar Player Magazine twice in their publication. And was named “Best Musician” from Albuquerque The Magazine’s Annual “Best Of The City” Readers Poll. With a solid rhythm section backing him, Ryan McGarvey and his band are embarking on bigger and better things…



